Taylor Swift trained in on Scooter Braun during her acknowledgment discourse at Billboard's Women in Music Awards on Thursday night, hammering the music big shot and tending to the "harmful male benefit" in the music business. 

The vocalist was given the debut Woman of the Decade gong at the elegant honors function, and didn't keep down as she made that big appearance to acknowledge the prize. 

In her extensive discourse, Swift tended to her fight with record official Braun since he obtained her old record mark, Big Machine, and with it the bosses to the Shake It Off hitmaker's initial six collections. 

While the 30-year-old looked to purchase the chronicles from her previous name, Braun purportedly cannot, and she presently plans to re-record her initial six collections sooner rather than later. 

"Of late, there has been another move that has influenced me by and by and that I feel is a possibly destructive power in our industry. Also, as your occupant uproarious individual, I want to bring it up," she told the group. "Furthermore, that is the unregulated universe of private value coming in and purchasing up our music as though it was land. As though it's an application or a shoe line." 

"This simply transpired, without my endorsement, conference or assent. After I was denied the opportunity to buy my music by and large, my whole inventory was offered to Ithaca Holdings in an arrangement that I'm told was supported by the Soros family, 23 Capital, and the Carlyle Group. But, right up 'til the present time, none of these financial specialists have ever tried to get in touch with me or my group straightforwardly... To ask me how I may feel about the new proprietor of my specialty. 

"Bike never reached me or my group to talk about it before the deal or in any event, when it was reported. I'm genuinely sure he knew precisely how I would feel about it however." 

Quick at that point referenced the reactions she got from a portion of her male companions in the business in the midst of her fight with Braun, demanding its the ideal case of sexism in the music world. 

"Let me simply state that the meaning of the dangerous male benefit in our industry is individuals saying, 'However he's constantly been pleasant to me,' when I'm raising legitimate worries about specialists and rights to claim their music," the star proceeded. "What's more, obviously he's pleasant to you! In case you're in this room, you have something he needs. 

"Private value is the thing that empowered this man to think, as indicated by his own web based life posts, that he could 'get me'. In any case, I'm clearly not going willing." 

Quick proceeded to commend the individuals who approached on the side of her position against Braun, just as her dedicated fan base.